The Dyer's Guide
Being a Compendium of the Art of Dyeing
Linen, Cotton, Silk, Wool, Muslin, Dresses, Furniture, &c. &c.
With The Method of
Scouring Wool, Bleaching Cotton, &c.
And
Directions for Ungumming Silk, And For Whitening And Sulphuring Silk And Wool.
And Also
An Inttroductory Epitome of The Leading Facts in Chemistry, As Connected With The Art of Dyeing.
By Thomas Packer,
Dyer and Practical Chemist.
"Cet arte est un des plus utiles et des plus merveilleux qu'on connoisse."
- Chaptal.
"There is no art which depends so much on chemistry as dyeing."
- Garnett.
Second Edition,
Corrected and Materially Improved.
London:
Printed for Sherwood, Gilbert, And Piper,
Paternoster-Row.
1830.
We refer the reader to the preceding chapter for many observations relative to cotton, with which, in order to understand correctly the best method of dyeing this material, it is necessary that he should become acquainted: indeed, the whole of that chapter ought to be well studied by every one desirous of becoming an expert dyer.
To dye cotton a Saxon or chemic blue.
This is performed with the sulphate of indigo thus: — put into a brown stone glazed earthen pot four pounds of good sulphuric acid, add to it twelve ounces of good indigo finely powdered, stirring the mixture very quickly and frequently; break the lumps, if it should get lumpy before it is thoroughly mixed, with a glass rod, or with a stick, the bark of which has been taken off: if for wool or silk, the solution will be fit for use in forty-eight hours, but if for cotton it will not be fit for use till the acid is neutralized by an alcali. Some persons, however, use whiting, but this precipitates and wastes the indigo; others use magnesia, but this is expensive; some, again, use pure or caustic potash prepared thus — take American pot or pearl-ash about seven pounds, put some of it into a brown stone glazed jar, or rather an open pan; upon the ashes put some quick lime recently burnt, and then alternately ashes and lime, slacking the lime with water as it is put on the ashes; let the whole stand together for about two hours: provide now another brown stone earthen vessel with a hole in the bottom, of larger dimensions than the other, put into this a piece of coarse linen to prevent the lime, the impurities, or any foreign body from running through the hole, then upon the bottom put some of the previously mixed lime and ashes, well incorporated, and placed gently upon the linen so as to be sure of its keeping its place and letting the liquor pass through clear. As the mixture is put in add some water occasionally, so as to keep it just covered, and leave room at the top for the swelling of the materials, as the lime especially will increase in bulk. Water must fill the whole, and cover the lime, &c. which will be known by the bubbles ceasing to rise. When it has stood twelve or fourteen hours, water being occasionally added as it is
absorbed, some may be drawn out.
To determine whether the carbonic acid has entirely quitted the potash, (and for which purpose the quick-lime, having a greater affinity with the carbonic acid than potash has, is specifically applied,) take some of the fluid in a wine glass and drop a drop of sulphuric acid into it; if the carbonic acid has entirely combined with the lime, the sulphuric acid will enter the fluid in the glass quietly, and without any other appearance than so much water; if you still doubt add more drops of the sulphuric acid successively. If the carbonic acid has not entirely left the potash when the sulphuric acid is dropped into the liquor, an eflervescence or fermentation will be seen in it. Whenever this is the case the liquor must be returned to the mixture for a longer time, and, if necessary, more lime be added.
When the liquor or ley is fit for use, all of it is to be drawn off, and more water may be added and remain on the ingredients till it is wanted. It is best to keep it close from the air, because as the air contains a certain portion of carbonic acid, the liquor would in time absorb it, and the ley, instead of containing caustic potash, would become a solution of carbonate of potash, and consequently not answer the end designed.
To know when the alkali of the mixture is exhausted, take a piece of paper stained with the juice of the blue flowers of violets, or the blossom of the mallow, which is thus prepared — pound the blossoms in a glass mortar with a glass pestle, and squeeze the juice into a- tea-cup, then, with a small hair pencil, cover a sheet of white paper with the juice, and dry it for use. All acids will turn it red, and all alkalies will turn it green; and, therefore, as long as any of the alkali remains in the liquor, the paper thus prepared will, when immersed in it, be stained green.
The comparative strength of such solutions may also be ascertained thus: take a wine-glass full of the liquor, drop into it a few drops of sulphuric acid, stirring it with a glass rod or clean bit of tobacco-pipe, and then apply a bit of test paper; if it appear green more acid must be added and stirred again; apply the test paper a second time, if it be still stained green, a few drops more of the acid must be added, and thus continue till the colour of the paper is neither altered to green nor red: the liquor will then be neither acid nor alkaline, but contain a neutral salt consisting of a combination of the acid and the alkali. By adding, however, a few more drops of the .icid, this last will be found predominant, and the test paper, being immersed in the liquor, will be stained red.
By treating different leys in this manner, and counting the number of drops necessary to neutralize each, the strongest ley will always be found that which requires the greatest quantity of acid for the purpose.
Alkaline leys are also to be judged of by their weight compared with that of water; a wine pint of water usually weighs about sixteen ounces avoirdupoise; all alkaline leys are heavier than water, and the heavier they are the more alkali they necessarily contain. A wine pint of some of them will weigh more than seventeen ounces.
To return to the dyeing of cotton a chemic blue: (to which a knowledge of these chemical processes, as well as of other processes in our work, is essentially necessary,) take some of the blue liquid prepared with indigo and sulphuric acid, as before directed, and put it into a vessel large enough to hold two or three times as much as is intended to be put in, in order that there may be room to stir it; add some of the potash, or alkaline liquor, by degrees till, after several trials, the mixture ceases to be sour; or, if you do not like to taste it, take a small slip of cotton or mushn and dip it in, after having wetted it out in warm water. If the acid be neutralized the cotton will be sound, if not it will be tender when dried: if the acid predominates much the cotton will be as rotten as tinder; when the cotton is perfectly strong and sound after being dried, the liquid is in a proper state to dye both cotton and muslin.
The goods to be dyed must first be wetted out and wrung, then work them in the flat tub with water, with a little of this blue added, and well stirred in proportion to the shade wanted. From half a pint to a pint of the liquid blue is sufficient for two pieces of twenty-four or twenty-eight yards each, if not of a very full pattern.
Blue, when dyed, should be dried in a cool stove, and if book-muslins, framed; furniture should be stiffened, glazed, or calendered.
The preceding are essentially the same directions for preparing and dyeing with the chemic blue which were given in the first edition of this work, and which we see no reason to alter. As, however, for silk in particular, another method has been given in the late work of Mr. M'Kernan, we give his processes below.
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